At the Home Zoo, Edward Albee’s theater on stage at Filodrammatici

Within the first of the 2 acts, Michele Radice and Valeria Perdonò play the convincing Peter and Ann, a rich New York couple. It would not take lengthy for the viewer to understand that theirs is a household like another, not to mention social class: they’ve two cats, a couple of budgies, they usually dwell within the perception that the whole lot is kind of worthy of a wedding. rely a couple of years. They speak to not perceive one another, faux to pay attention to one another, argue, argue, love lazily, confront one another till they uncover truths which have by no means been advised earlier than. We, too, snort and suppose after fiery jokes: to start with, “we should converse”, a seemingly innocent phrase pronounced by Ann, offers rise to “rivers of phrases” that additionally finish in songs. sanremo

The transition to behave two is straight away obvious when Peter decides to get some air within the park to lighten the environment after a really dialectical second together with his spouse Ann. In reality, Edward Albee wrote it nearly half a century after the primary. So the scene strikes to a metropolis park the place Peter meets Jerry, performed by the influential Tommaso Amadio. After preliminary mistrust, suppressed by the questions of Jerry, who lives removed from the town heart and prosperously penniless, a dialogue begins between the 2, masterfully maintained by the creator of the textual content. All the things appears to be going nicely at first, in spite of everything Jerry needs to inform you one thing about his current go to to the zoo. However out of the blue the rhythm of the dialog modifications, one thing leads two worlds, two views, in brief, two individuals to collide, violently collide, irreversibly drift away.

Human frailties stay, and past class and wealth, within the face of feelings, difficulties, fears, the sensation that everybody, actually everyone seems to be equal.