Cremona Sera – Ciak, we’re back. The gloomy and hazy atmosphere of the navigable canal in Matteo Garrone’s 2002 film noir “L’imbalsamatore” between Castelvolturno and Cremona (15)

Po’s loops and close by navigable canal in 2002 Spinadeskoturn into the places of the film Matthew Garrone “embalmerhe seems earlier than the digicam with the “black” style in his fourth try behind the digicam. residence location village of Coppola, an instance of criminal activity on the Domitian seaside close to Castelvolturno, its towers at the moment are demolished within the space’s redevelopment undertaking, remnants of the utopian dream of making a well-known resort right here. Different location precisely creamIt has one thing in frequent with the primary movie, which has a dark setting between the mists of the Po valley and the panorama of the Po. The 2 settings are virtually indistinguishable. Cremona, Deborah (Elizabeth Stochetti), a woman and Valerio (who met by likelihood on one of many journeys as drug courier)Valerio Foglia Manzillo), assistant to dwarf taxidermist Peppino Profeta (Ernesto Mahieux), in collaboration with the Neapolitan Camorra. This navigable channelis particularly the spot the place Valerio and Deborah threw the automobile into the Po and hid Peppino’s physique. Primarily based on a criminal offense story, L’imbalsamatore levels the random and lethal encounter of three very completely different individuals, together with Ugo Chiti and Massimo Gaudioso. strongly characterised by characters and bodily traits. There’s the dwarf storyteller Peppino, there’s Valerio, the gorgeous and really tall lady, and there is Deborah, the lady with make-up. Due to this fact, the three unusual species are; the three corners of a sickly, obsessive, and above all undesirable triangle. Taxider Peppino, a suspicious particular person related to the Camorra, secretly falls in love with the younger and impressionable Valerio and convinces him along with his extraordinary persuasion to work with him. The idyll is damaged when Peppino’s automobile breaks down after a visit to Cremona, permitting Valerio and Deborah to fulfill on the mechanical workshop the place he was fired. Deborah falls in love with Valerio and decides to observe him, however Peppino’s presence turns into more and more overwhelming and clumsy.

The encounter between Peppino and Valerio occurs by likelihood in a Neapolitan zoo, in entrance of the cage of a fowl of prey, with solely bowed eyes seen from behind bars. A sympathy arose between the charismatic and professional taxidermist and the naive waiter. One is fatherly and reassuring, the opposite is fatherless, in want of safety. Peppino arrives simply in time and affords Valerio what he would not have: a profitable job, a house, and numerous distractions. Peppino turns into the reference level, the information, the supply of well-being, the particular person one ought to be thankful for and to whom one is fatally connected. One wants the opposite. One compensates for the opposite. Thus, a steadiness is created in a short while that exhibits the traits of an dependancy.

Someday, on a enterprise journey to Cremona, the 2 meet Deborah: Valerio and the lady fall in love and she or he quits her harmful job to affix their journey. Initially, Peppino accepts Deborah, satisfied that Valerio will do away with her eventually, however as a result of that does not occur, the delicate steadiness between the three is shattered. Now not free to adore Valerio, Peppino tries every little thing to maintain her away from Deborah.

A traditional future is what younger individuals need to construct, however the darkish previous can’t be forgotten. Peppino obsessively resurfaces from the mists and restores the disturbed steadiness, which in flip upsets the steadiness. The embalmer is grasping for magnificence. He thinks about this in younger Valerio and provides them again to the lifeless our bodies. He doesn’t have it, he seeks it and wishes it. Deborah additionally seeks magnificence and achieves this by retouching her face. Valerio owns it and is on the middle of the battle. Need arises from a scarcity and turns into obsession. Darkness, fog, shadow in every single place.

The scenario accelerates, leading to a violent argument between Peppino and Deborah, the place he resolutely pushes her away and forces her by no means to be seen once more. The reality inevitably results in the decisive break between Peppino and Valerio. The boy and the pregnant Deborah transfer to Cremona together with her household. The couple’s life appears to be going proper till, after falling in despair, they resolve to come back to their home to attempt to snatch Valerio from the lady. Peppino’s presence throws Deborah right into a disaster and heated arguments ensue between the 2 lovers; Peppino turns into extra insistent and makes use of his alternative to flatter Valerio with the provide of a visit all over the world: the phrase convinces Valerio, however Deborah interrupts as the 2 are about to depart. A brand new dialogue begins between the 2, which is able to lead to rapprochement; Peppino realizes that he can now not save the boy, and within the grip of hysteria, he pulls out his gun and threatens to kill Deborah, Valerio, and himself. Ultimately, Valerio and Peppino get within the automobile, and the latter is killed by a bullet (it’s unknown whether or not Valerio killed him or he killed himself): the 2 boyfriends then push the automobile. The physique of Peppino nel Po.

The music was entrusted to Banda Osiris, and their music was launched on the Vercelli group’s fourth album, L’imbalsamatore. The movie acquired awards for finest supporting actor in 2003, to David di Donatello and Ernesto Mahieux for finest screenplay.