Fascinating pointe tales and fascinating creations by famend choreographers”Ukraine Grand Gala Ballet” by ArrondiART Ukrainian Classical Ballet on bill Friday, January 20 21 years previous on the Municipal Theater Sasari And Saturday, January 21 at 20:30 Sunday, January 22 19 years previous at Teatro Massimo cagliari for the opening 2022-2023 season of La Grande Danza organized by CeDAC / Within the title of tradition and wonder, the multi-disciplinary cycle of reside leisure in Sardinia – for an artwork with out limits.
13 dance stars within the highlightInternationally famend artists comparable to Olga Golitsya and Jan Vana, Lina Volodina and Oleksii Potomkin from the Ukrainian Nationwide Opera and Ballet Theater, Clara Ushizaka and Alberto Pecetto from the Polish State Opera, Vasylieva Antonina and Tsapryka Kostiantyn from the Kharkiv Opera and Ballet Theatre, Serbia Teodora Spasik and Begojev Jovica of the Belgrade Opera and Ballet Theatre, Larysa Hrytsai of the Odessa Opera and Ballet Theatre, and Takamory Miyu and Ryosuke Morimoto of the Budapest-Hungary Nationwide Opera.
Between gorgeous solos and fascinating pas de deux, give attention to the good masterpieces of ballet historical past for a worthwhile anthology that includes the creations of nice masters and unique choreographies by modern writers: from a fascinating duet from “La Sylphide” to Adolphe Nourrit’s libretto with Clara Ushizaka and Alberto Pecetto well-known ballet, from Adolphe-Charles Adam’s “Le Corsaire” impressed by a poem by Lord Byron al Pas d’Esclave, choreographed by Marius Petipa, with Larysa Hrytsai and Tsapryka Kostiantyn to Marius Petipa’s “Le Talisman”, With Takamory Miyu and Ryosuke Morimoto, an Adagio from Adam’s well-known “Giselle”, an thought by Théophile Gautier, with Vasylieva Antonina and Tsapryka Kostiantyn, and one other move from “La Esmeralda”, Victor Hugo’ Deux to rediscover the gothic environment of Rome, after ‘Notre Dame de Paris’, choreographed by Marius Petipa, and Jules Perrot’s first model for the Imperial Ballet with Oleksii Potomkin and Lina Volodina. nzo centered on the gorgeous gypsy determine, the image of freedom.
Larysa Hrytsai’s expertise is the seductive and unique “Shéhérazade” in Mikhail Fokine’s model on notes by Nikolaj Rimsky-Korsakov, adopted by a playful piece, a singular classical dance “lesson” changed by “Nameless Feelings”, a mere ” ” writing Jan Vana is Espada’s Solo, impressed by Miguel de Cervantes’ novel, from “Don Quixote” tailored by Alberto Pecetto to music by Ludwig Minkus in Marius Petipa’s profitable model, and Olga Golytsia from Mikhail Fokine’s “The Dying Swan” ” she dances to the tune “, on the notes of the great Camille Saint-Saëns, the solo created for Anna Pavlova and choreographed by Marius Petipa, she closes the primary act of Adam’s “Le Corsaire” with a pas de deux: Medora and the captain and the gorgeous prisoner Conrad ‘s duet – Teodora Spasik and Begojev Jovica.
Within the second act, the curtain of “Diane et Actéon” opens with a pas de deux carried out by Clara Ushizaka and Alberto Pecetto, adopted by the duet of Oleksii Potomkin and Lina Volodina on the reminiscent “Adagio of the Jungle Music”, choreographed by Konstantin Kostjukov’ by Teodora Spasik and Begojev Jovica, a tribute to Adagio and Giuseppe Verdi from “La Forza del Destino” and an attention-grabbing duet for Larysa Hrytsai and a “solo” to the rhythm of Tango, choreographed by Vasylieva Antonina The mysterious magic of “Les Sylphides” is accomplished with one of many well-known pages, with an awesome pas de deux from Mikhail Fokine, music by Fryderyck Chopin, and at last “Don Quixote” with Olga Golytsia and Jan Vana. The perfection and everlasting grace of ballet within the historical past of ballet, the place the occasions of the hydroponics preventing towards windmills for a really perfect are translated into the refined and virtuoso geometries of our bodies transferring based on strict legal guidelines. classical dance
ArrondiART Ukrainian Classical Ballet’s tour on the Island of the “Ukraine Gran Gala Ballet” affords the chance to rediscover and recognize the immortal masterpieces that proceed to reside on stage and captivate the viewers amid passionate tales and adventurous intrigues. historic and trendy fairy tales that change form within the symbolic language of dance: a legacy of the collective creativeness and renewed occasionally with new interpretations and new creations, with the evocative energy of a dream. The creations of Marius Petipa and Mikhail Fokine, “La Sylphide”, “Le Corsaire”, “Giselle” and a “Gala di Stelle” that may flip consideration to La Grande Danza with titles comparable to “Don Quixote”, “Le Talisman”, ” La Esmeralda” and “Les Sylphides” are new and attention-grabbing choreographies the place the class of classical dance is mixed with the vitality of latest dance, in addition to the XVII. and XXI century, with an eye fixed to the long run.
Battle enters the European stage, with the damaging energy of a painful and tragic reality: because the worldwide tour of ArrondiART Ukrainian Classical Ballet nonetheless continues overseas, cities, energy vegetation and factories are bombed, artwork represents the antidote to violence and destruction, the fantastic thing about immortal masterpieces is common in dance historical past and within the nice ballet custom. There’s virtually a message of peace and concord between them. Nonetheless, the battle continues and the dancers discover themselves taking over arms with braveness and a patriotic spirit, a lot in order that gunplay inevitably influences creative selections and forged composition, amid program adjustments and all of the bureaucratic issues of the play. On this case, with the addition or elimination of varied items from the corporate’s very wealthy repertoire: the Grand Gala Ballet of Ukraine is a chance to admire the interpretation of the celebs of Ukrainian dance, and on the identical time share the hope that the storm will finish and peace will return. .
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